INTRODUCTION
Due to ancient textual traditions Psalms 9 and 10 are often treated as one psalm. Although two individual psalms in the Hebrew Bible they appear as a single acrostic poem in the LXX (Septuagint Greek translation) and the Latin Vulgate. Taken together they constitute an almost complete irregular acrostic on the Hebrew alphabet. The two psalms share similar themes and also have word similarities (e.g. the phrase in times of trouble, 9:9; 10:1). Psalm 9 closes with Selah (which is unusual) and Psalm 10 has no superscription.
Most English translations, however, including the KJV, follow the Hebrew Bible and view them as two individual psalms. Psalm 9 is essentially a psalm of thanksgiving whereas Psalm 10 is a lament. Psalm 9 treats the subject of the wicked outside Israel and Psalm 10 of the wicked inside Israel.
STRUCTURE
When taken together Psalms 9 and 10 constitute the first of eight acrostic psalms (9/10; 25; 34; 37; 111; 112; 119; 145). For technical treatments of acrostics see Berlin (1901), Benun (2009) and Robertson (2015) – details in Bibliography.
Benun (2009, section 2.1) writes: ‘Of the twenty two letters in the alphabet only fifteen are present in the acrostic of Pss 9 and 10, while seven . . . are missing.’ He goes on to make this interesting observation:
‘This first acrostic in Psalms is unique in that it spans two psalms. Ps 9 goes from א to כ (11 letters) and Ps 10 continues from ל to ת (11 letters) so that the alphabet is split evenly between the two, even though some of the letters are missing. Furthermore, there are 164 words in Ps 9 and 162 words in Ps 10 so that the total acrostic of 326 words is split almost exactly evenly between the two psalms. The last word of Ps 9, סלה, is not an integral part of the psalm but rather a marker indicating a pause or an interruption. If we leave out this סלה from the word count as well as the סלה in 9:17, then Ps 9 also has 162 words. The acrostic is split exactly in the middle both in its division of letters of the alphabet and in terms of word counts. It is statistically significant that the word count for Ps 9, which contains ten of the first eleven letters of the alphabet, should be exactly equal to the word count of Ps 10, which includes only five of the last eleven letters of the alphabet. This is a first indication that no words have been deleted in MT, and that the aberrations in the acrostic structure may be intentional.’
Writing on Psalm 9, Robertson (2015, pp.232-233) explains:
‘. . . from the opening verses of this psalm, it becomes obvious that the psalm does not intend to be ‘regular’ in the normal sense of the word. In vv. 1 and 2, the letter aleph occurs four times as the beginning letter of the first word of each half-verse (Heb. vv. 2, 3). Then the letter beth encompasses two verses (Heb. vv. 4, 5). Next the letter gimel occurs twice in two consecutive words (Heb. v. 6). The letter daleth is omitted (although it concludes the final word of v. 6). The letter he begins the next verse (Heb. v. 7). Then the letter waw opens the next verse as a prefix to Yahweh, and then introduces the following three verses, so that four waws introduce four consecutive verses (Heb. vv. 8, 9, 10, 11). Then the letter zayin begins the next verse and concludes the following half-verse (Heb. vv. 12, 13a). A single heth and teth each introduce two verses (Heb. vv. 14, 15 and 16, 17). Yodh introduces one verse (Heb. v. 18). Then one verse beginning with kaph introduces the final three verses of Psalm 9 (Heb. vv. 19, 20, 21). Ten of the first eleven letters of the Hebrew alphabet in what may be regarded as standard alphabetic order have been introduced in the 21 verses (in the Hebrew text) of Psalm 9.
SUPERSCRIPTION
TO THE CHIEF MUSICIAN UPON MUTH-LABBEN, A PSALM OF DAVID.
Muth – death. Labben – son. Occurring only in the title of Psalm 9 Muth-labben means ‘death to/of the son’ or ‘to die for the son.’ It is probably a musical direction to the temple precentor, to use a tune called Muth -Labben. If David was the author of Psalm 9 then both psalm and tune may have been composed in response to the death of Absalom (2 Sam 18), which David considered unjust.
1-12 PRAISE FOR PAST DELIVERANCE
1-2 A declaration of praise
3-6 YHWH’s past judgement on the wicked
7-10 YHWH’s justice for the oppressed
11-12 A call to praise the Lord for what he has done
13-20 PLEA FOR PRESENT DELIVERANCE
13-14 A plea for deliverance
15-18 The fate of the wicked and of the needy
19-20 A final call for YHWH to intervene
EXPLANATION
1-2 A declaration of praise
Psalm 9 begins by stating the purpose of the psalm: to express the psalmist’s gratitude and commitment to praise the Lord. He states ‘I will’ 4 times.
- REVERE – I will praise thee, O LORD, with my whole heart – to praise is to confess, thank or acknowledge all that is right about the Lord. This will be with all his heart, signifying that his gratitude is not superficial but total and unreserved. The reference is to private praise.
- RECOUNT – I will show forth all thy marvellous works – to show forth is to number, recount, relate. The Lord’s ‘marvellous works’ are God’s acts in creation, redemption and personal deliverance which motivate the psalmist to progress from private praise to public testimony.
- REJOICE – I will be glad and rejoice in thee – He will be glad and jubilant – This overwhelming emotional response is rooted ‘in thee’ – The Lord himself is the source of his joy.
- RESONATE – I will sing praise to thy name, O thou most High – The verb ‘to sing praise’ means to play an instrument or to sing with musical accompaniment. Now the psalmist’s praise is musical and communal. It will be sung in the temple accompanied by stringed instruments. He addresses the Lord as ‘elyôn – thou most High. God’s supreme power and authority render him worthy of praise.
3-6 YHWH’s past judgement upon the wicked
Verses 3-6 refer to the psalmist’s past experiences of God’s help and summarise the Lord’s acts of judgement upon the Gentiles (heathen). The psalmist attributes the defeat of the ‘enemy’ to YHWH, whom he portrays as the sovereign judge. The Gentiles (variously described as ‘ thou enemy,’ ‘ the heathen,’ ‘the wicked’ and ‘the nations’) are mentioned in vv. 5, 6, 15, 16, 17, 19, and 20. When the Lord acts against them they ‘stumble’ and ‘perish.’
Notice that whereas ‘I will‘ appears 4 times in vv.1-2 now the words ‘thou hast’ appear 5 times in vv. 4-6.
- thou hast maintained my right and my cause; thou satest in the throne judging right – someone had broken a covenant with the psalmist but the Lord had sat as the supreme, righteous judge and had upheld the psalmist’s righteous cause (right and cause are synonyms). The Lord has vindicated the psalmist and punished the offenders.
- thou hast rebuked the heathen – rebuked – includes the result of God’s rebuke – he has stopped them in their tracks.
- thou hast destroyed the wicked – destroyed – he has caused them to perish.
- thou hast put out their name forever and ever – blotted out – he has removed them from the scene once and for all.
- thou hast destroyed cities – the imagery portraying God’s judgement as decisive and final is reinforced in v.6 – O thou enemy, destructions are come to a perpetual end: and thou hast destroyed cities; their memorial is perished with them – lit. ‘as to the enemy, finished are his ruins forever, thou hast destroyed their cities, perished their memory /they’ i.e. God deals severely with the wicked.
7-10 YHWH’s justice for the oppressed
But the LORD shall endure forever: he hath prepared his throne for judgement.
And he shall judge the world in righteousness, he shall minister judgement to the people in uprightness.
The LORD also will be a refuge for the oppressed, a refuge in times of trouble.
And they that know thy name will put their trust in thee: for thou, LORD, hast not forsaken them that seek thee.
‘But.’ – Although cities and their inhabitants may fall YHWH sits as a judge enthroned forever. His oversight of the world is constant and stable and he will govern the world (peoples) and minister justice. The concept of ‘judging in righteousness’ signifies that his decisions will be upright, fair and impartial, vindicating the righteous and punishing the wicked.
Verses 9-10 spell out the implications of the Lord as judge. He will be the ultimate defender and protector of the vulnerable, this is expressed with a metaphor – refuge (fortress, high tower). In times of trouble – according to Scroggie (1948, p.80): ‘This word “trouble,” occurring again only in X.1, means the extremity of trouble in which all hope of deliverance is cut off.’ The vulnerable are described in Psalm 9 as the oppressed (v.9), those who know the Lord’s name (v.10), the humble (v.12), and the needy (v.18). All the oppressed, marginalised and persecuted who discern the Lord’s name (his character, reputation) and seek him will be delivered. There is a marked contrast between the name of the Lord who abides forever (v.7) and the name of the wicked which will be blotted out (v.5).
11-12 A call to praise the Lord for what he has done
Sing praises to the LORD, which dwelleth in Zion: declare among the people his doings.
When he maketh inquisition for blood, he remembereth them: he forgetteth not the cry of the humble.
Having earlier declared his intention to praise YHWH (vv.1-2) the psalmist now calls upon others to participate as well and spread far and wide the word of YHWH’s actions on behalf of the oppressed. YHWH, who in vv.7-8 is enthroned ready to judge internationally is now viewed as dwelling locally in Zion. It is from there, dispensing ultimate justice in his role as ‘the avenger of blood,’ that he pays attention to the cry of the afflicted.
13-14 A plea for deliverance
Have mercy upon me, O LORD; consider my trouble which I suffer of them that hate me, thou that liftest me up from the gates of death:
That I may show forth all thy praise in the gates of the daughter of Zion: I will rejoice in thy salvation.
The psalmist moves quickly from praise for what YHWH has done in the past and his support of the afflicted to present a plea for present and personal deliverance from distress. He asks YHWH to be gracious to him and ‘see’ (KJV consider) his suffering at the hands of those who hate him i.e. not just literally ‘see’ his trouble but also bring him out of it. Using a play on words he asks God to ‘lift him from the gates of death‘ (a potentially near death situation) so that he can praise him publicly ‘in the gates of the daughter of Zion‘ and rejoice in salvation. Daughter of Zion is a personification of the city of Jerusalem and a metaphor for Israel’s relationship with YHWH.
15-18 The fate of the wicked and of the needy
The heathen are sunk down in the pit that they made: in the net which they hid is their own foot taken.
The LORD is known by the judgement which he executeth: the wicked is snared in the work of his own hands. Higgaion. Selah.
The wicked shall be turned into hell, and all the nations that forget God.
For the needy shall not always be forgotten: the expectation of the poor shall not perish forever.
Verses 15-18 contrast the fate of the heathen and the wicked with that of the needy and the poor. Verses 15-16 use hunting imagery reminiscent of Psalm 7:15-16. The Lord causes the wicked to be caught in their own devices. Higgaion and Selah are possibly musical notations. Higgaion occurs three times in The Book of Psalms – 9:16; 19:14 (transl. meditation); 92:3 (transl. solemn sound).
The wicked will return to Sheol – the grave (cf. Gen 3:19) – the ground or earth that they came from. Many commentators interpret this verse as referring to eternal punishment in hell. Verses 17-18 form a chiasm based on the word ‘forget.’ The nations that forget God will perish but the needy will not be forever forgotten. The Lord sends the wicked to the grave because he remembers the hope of the oppressed and afflicted. The words not always could imply that the poor and needy are currently forgotten by God but the last phrase of v.18 clarifies that God never forgets them
19-20 A final call for YHWH to intervene
Arise, O LORD; let not man prevail: let the heathen be judged in thy sight.
Put them in fear, O LORD: that the nations may know themselves to be but men. Selah.
Each of the final two verses begins with an imperative. The psalmist wants God to intervene immediately among the nations to prevail over human pride and restore a right perspective on the human condition. God is immortal and omnipotent, man is mortal and finite.
Psalm 9 ends with Selah. This is unusual – only 3, 9, 24 and 46 end with Selah. There is a suggestion that those psalms ending with Selah appear to form pairs with the psalm that follows. Some therefore use this to bolster the theory that Psalm 9 and Psalm 10 were originally one psalm.
SUMMATION
Psalm 9 is an expression of praise and trust in the Lord in spite of adversity and injustice. The psalmist celebrates God’s sovereignty over all circumstances and proceeds to reflect on God’s judgement of the wicked and defence of the oppressed. Based on God’s actions in the past he expresses confidence that God will protect him in the future. He then contrasts the fate of the wicked with the hope of the oppressed. Suffering and overwhelming circumstances ought not lead to despair for the afflicted will not be forgotten. God, who is sovereign and faithful, will eventually rise and judge the nations.
BIBLIOGRAPHY
BOOKS
Clarke, A.G. (1949). Analytical Studies in the Psalms. John Ritchie Ltd., Kilmarnock
Scroggie, W.G. (1948). The Psalms , Volume 1, Psalms I-L, Introduction and Notes by W. Graham Scroggie. Pickering & Inglis Ltd., London
JOURNAL ARTICLES
Benun, R. (2009) “Evil and the Disruption of Order: A Structural Analysis of the Acrostics in the First Book of Psalms”, The Journal of Hebrew Scriptures, No.6.
Berlin, M. (1901). Psalms IX and X. The Jewish Quarterly Review, Vol. 13, No.4, pp.669–682.
Robertson, O. P. (2015). The Alphabetic Acrostic in Book I of the Psalms: An Overlooked Element of Psalter Structure. Journal for the Study of the Old Testament, Vol. 40, No. 2. pp.225-238
Written Exposition 