Tag: creation

Posted in Exposition

The Revelation of God in the Sky (Psalm 19:1-6)

Posted on by writtenexposition

INTRODUCTION

In Psalm 19 the author, David, marvels at the revelation of God in Nature and in the Law. As he thinks of how the Sun illuminates and dominates the natural world he reflects on how the Law (torah) dominates and illuminates the spiritual life. In verses 1-6 the psalmist maintains that the universe itself points beyond Creation to its Creator. The heavens do not speak in human language yet they continually and universally proclaim God’s glory. Verses 1-4 deal with the heavens in general and vv.5-6 with the sun in particular. The psalm is usually categorised as a hymn of praise although it does not begin with the typical call to praise.

STRUCTURE

Psalm 19 divides into three sections:

1-6 THE REVELATION OF GOD IN THE SKY

7-9 THE REVELATION OF GOD IN THE SCRIPTURES

10-14 THE RESPONSE TO THE WORD OF GOD IN THE SERVANT

EXPOSITION

1-6 THE REVELATION OF GOD IN THE SKY

(1) The heavens declare the glory of God; and the firmament showeth his handiwork.

The psalm begins with the witness of the heavens to the glory of God. Verse 1 has a chiastic structure. Each of the two parts of the line contains a subject (heavens and firmament) a predicate (declares, announces) and a direct object (glory of God, his handiwork). Since these are parallel we thus understand that the glory of God is not an abstract concept. The glory of God is Creation. Creation is not divine but it manifests something of God’s wisdom, power and majesty.

The firmament means the expanse of the heavens and since it bears the marks of its Creator it proclaims his ‘handiwork’. Many of the words in the first three verses are associated with speech. The heavens publish God’s glory because it is he who has made them. In the context of this verse ‘the work of his hands’ probably refers to the planets and stars. This verse encourages us to not just contemplate Nature but to look beyond the Creation to its Creator.

(2) Day unto day uttereth speech, and night unto night showeth knowledge.

Using linear parallelism the poet shows that not only are the heavens and the firmament publishing and proclaiming God’s glory and handiwork but they are always doing this. Their witness is ongoing, constant and perpetual. Day unto day (i.e. every day, one day after another) and night unto night (i.e. every night) they pour out speech about God and communicate knowledge by the splendour of the sky.

(3) There is no speech nor language, where their voice is not heard.

This verse may be interpreted in two ways:

a) There is no speech – this seems paradoxical because the previous verse says that they pour out speech but the idea here is that their speech is not articulate, i.e. they do not speak using human language. Where their voice is not heard. – their voice is inaudible, Therefore, creation’s speech is non-verbal and inaudible. It communicates silently but nevertheless its message is clear.

OR

(b) There is no speech nor language, where their voice is not heard. There is nowhere their message is not received. No nation or culture is excluded from the experience of viewing the sun, moon and stars, Creation invites everyone in every generation to marvel and to seek the Creator. Its witness is perpetual and universal.

(4a) Their line is gone out through all the earth, and their words to the end of the world.

Their refers to the heavens and the firmament. Line is the usual word for ‘measuring line’ but may also be translated ‘sound.’ Some translate it as ‘rays.’ The idea of ‘going out’ is present in verses 4, 5 and 6. Their sound goes out through all the earth and their words ‘go out’ (the verb is not repeated but is understood) to the end of the world. In Romans 10:18 the apostle Paul uses this verse to illustrate the progress of the gospel throughout the world.

(4b-5) In them hath he set a tabernacle for the sun, Which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race.

The psalm now moves on from the heavens in general to focus on the sun in particular. He, referring to God (v.1), has put a tent in them (the heavens) for the sun. Which (‘and it’, i.e. the sun) is like a bridegroom going forth from his chamber (bridal tent in which bride and groom spend their wedding night, cf. Joel 2:16) and he is like a strong man (warrior) rejoicing to run his path. Many worshipped the Sun in those days but the psalmist emphasises that it has been created and placed in orbit by God (El). On this verse the New International Commentary On The Old Testament (NICOT) maintains:

In the ancient Near East, the sun was worshipped as the god of justice. Both iconographic and literary data from Israel’s neighbors establish the fact that the poet of Psalm 19 was playing off of this idea. A Sumerian hymn calls the sun-god the “hero who goes out” (here, the Hebrew word often translated “hero” is translated as strong man in v. 5), an Akkadian/Sumerian bilingual hymn refers to the sun-god as a “warrior” who enters his bed chamber with his wife, and the sun-god was often called “bridegroom” in Akkadian. Such examples could be multiplied literally many times over, but these few examples should serve to make the point that the polytheistic idea of the sun as a god does lie behind this psalm. But in terms of understanding Psalm 19, the question to ask is: “What point is the psalm writer scoring by using this imagery?” In Psalm 19, the answer is that the poet employs this familiar imagery in order to continue the polemic against creation worship, especially worship of the sun. This psalm stresses that the sun is not a god but something created by God. It is God who set it in the heavens. The sun runs the circuit that God has appointed for it.

As the most illustrious of the heavenly bodies the sun emerges with all the splendour, joy and gladness of a bridegroom leaving his bridal tent and like a champion or hero travels its course with energy and purpose.

(6) His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof.

The sun exits its tent at the end of the horizon (i.e. sunrise) and having completed its circuit enters its tent again (i.e. sunset). The word ḥammāh used here (which can mean the sun itself or the sun’s heat or glow) probably refers more to the sun’s brightness than its heat, as in Song of Solomon 6:10. The sun has universal reach; its light and heat reach the whole world, and yet it does not speak.

There now comes an abrupt change at Psalm 19:7. The probable link between the Sun and the Law is that everything is exposed before them, nothing is hidden.

SUMMATION

Psalm 19:1-6 teaches us that the natural world is a constant, silent witness to the glory of God. The sky proclaims the work of God’s hands and communicates that message across the whole world, regardless of language or culture. This is sufficient to show humanity that there is an intelligent, powerful Creator. There are, however, limitations to what nature can reveal. While Creation points to God’s existence and power it cannot communicate in words the specifics of God’s plans and demands. That deeper knowledge is found in God’s written Word, to which the psalmist now turns in the following verses.

For thoughts on vv.7-9 THE REVELATION OF GOD IN THE SCRIPTURES and vv.10-14 THE RESPONSE TO THE WORD OF GOD IN THE SERVANT please see my earlier blog post;

PSALM 19:7-14

BIBLIOGRAPHY

Declaissé-Walford, N.L., Jacobson, R.A., and Tanner, B. L., (2014). The Book of Psalms in NICOT, Grand Rapids, Michigan: William B. Eerdmans Publishing Company.

Posted in Exposition

GUARDIANS OF EDEN: THE MYSTERY OF THE CHERUBIM – Genesis 3:24

Posted on by writtenexposition

Introduction: Genesis as a Fundamental Pillar of Biblical Insight

Since it occupies first place in the canon of scripture, it almost goes without saying that a grasp of the book of Genesis is necessary for a proper understanding of the rest of the Bible. It is:

– a book of revelation – because the information in it has been revealed by God via transmission through Moses. Its contents are therefore fact and not fiction.

– a book of introduction (as its name indicates) – because it records how things began. Genesis mentions the beginning of such things as the universe, human beings, marriage, murder, music, agriculture, languages and the nations.

The book falls naturally into two parts: primaeval history and patriarchal history. Chapters 1-11 record four key events of global significance: The Creation, The Fall, The Flood and The Babel Crisis. The second part, chapters 12-50, concentrates on the life- stories of four key characters: Abraham, Isaac, Jacob and Joseph. Also within the book the family trees of ten significant individuals are given. Their records are introduced with the words ‘these are the generations of’:

Adam – 5:1; Noah – 6:9; Shem – 11:10 (10:1, 22); Ham – 10:1 (10:6); Japheth – 10:1 (10:2); Terah – 11:27; Ishmael – 25:12; Isaac – 25:19; Esau – 36:1l; Jacob – 37:2.

Background: Genesis 1-2 and the Duality of Creation Accounts

Genesis 1:1-2:3 records what is often referred to as the first account of creation. This section divides into three main episodes. The first two episodes together occupy six days, the third one day, the seventh. They are:

  • Gen 1:1-13 The creation of the inanimate world
  • Gen 1:14-31 The creation of living creatures; these occupy three spheres: sea, air and land.
  • Gen 2:1-3 God’s rest after his creative activity.

Chapter 2:4 begins what many scholars term the second account of creation. The reason for the idea that there are two accounts of creation is that each passage emphasizes a different name for God. Within Genesis 1:1-2:3 the name Elohim (trans. ‘God’) is used some thirty-five times. At the beginning of chapter two, however, there is a noticeable shift. In the second section YHWH Elohim (trans. ‘the Lord God’) is used, occurring twenty times within 2:4-3:24 . Whilst fully recognising this fact I think it unlikely that there are two accounts of creation. Chapter two simply continues with additional details of the creation of humanity on the sixth day; in other words, it is an expansion of 1:26-30. Genesis chapter two (along with chapter three) supplements chapter one.

The Paradise Narrative: Genesis Chapters 2 and 3

Genesis 2

Gen 2-4-7 – This section revisits the creation of man, emphasizing that Adam was created by God from the dust of the ground and that God breathed life into him.

Gen 2:8-14 – God plants a garden paradise called Eden into which he sets man. The garden is described as beautiful and abundant. It is watered by a river that flows through it; dividing into four streams. In the middle of the garden stand the tree of life and the tree of the knowledge of good and evil.

Gen 2: 15-17 – God gives Adam responsibility for tending the garden (2:15) and in 2:16-17 he personally addresses Adam instructing him not to eat from the tree of the knowledge of good and evil. To do so will result in death.

Gen 2:18-25 – God declares that it is not good for man to be alone. God creates animals which are brought to Adam and named by him but no animal is suitable as a companion for Adam. God therefore creates woman (Eve) from one of Adam’s ribs. Adam recognises Eve as bone of his bone and flesh of his flesh.

Gen 2:24-25 – The chapter concludes with a statement about marriage. It declares that a man shall leave his parents, cleave to his wife, and the two shall become one flesh. The final verse notes that the Adam and Eve are naked but not ashamed.

Genesis 3

This chapter describes the events surrounding what has become known as the Fall of Man.

Gen 3:1 – The cunning serpent engages in conversation with the woman and questions God’s instruction not to eat of the tree of the knowledge of good and evil.

Gen 3:2-3 – Eve accepts the serpent’s insinuation (v.1) that God was being restrictive rather than generous and in her response to the serpent she both subtracts from God’s word (she omits the word ‘freely’) and adds to it (‘we cannot touch it’). You will recall that Revelation 22:18-19 contains prohibitions against adding to or taking away from the word of God.

Gen 3:4-5 The serpent (vv. 4-5) dismisses as untrue God’s warning that eating of the forbidden fruit would result in death and says that God has told the humans that in order to restrict their development. God does not want them to ‘know good and evil’. This expression seems to mean ‘have wisdom’ or ‘have the ability to understand’, ‘weigh up and discriminate’; for example: see Dt 1:39; 2 Sam 19:35; Isa 7:15-16 and Solomon’s prayer for understanding: Give therefore thy servant an understanding heart to judge thy people, that I may discern between good and bad: for who is able to judge this thy so great a people? 1 Kings 3:9

Gen 3:6 – The fall of humanity. Eve takes the fruit and eats it, then gives it to her husband, Adam, who also eats it.

Gen 3:7-19 These verses outline the results of disobedience. The man and the woman become aware of their nakedness and shame. They therefore sew fig leaves to cover themselves, and hide from God. God confronts them, and pronounces specific consequences that each party (the serpent, the woman, and the man) must face for their actions.

Gen 3:20-24 – In v.20 Adam names his wife Eve, meaning ‘living,’ signifying her role as the mother of all living. In v.21 God provides leather clothes for Adam and Eve before expelling them for the Garden of Eden in order to prevent them from eating from the tree of life and living forever in their fallen state. The entrance to the garden is blocked by cherubim and a flaming sword.

Unveiling Controversies and Posing Inquiries

Over the centuries Genesis 2 and 3 have been two of the most controversial and most discussed chapters of the Bible. A wide spectrum of opinion has been held and a variety of views put forward. Many believe that the events of Genesis 3 literally and physically happened as described, others maintain that the episode in Eden is myth or an allegory to explain sin and suffering, a few express an extreme view that the serpent is actually the hero of the story (since it ‘correctly’ predicted that the humans would not literally die the day they ate the forbidden fruit).

The Paradise Narrative raises many questions in the mind of the reader. These include:

  • How does one account for a talking animal (serpent)?
  • Where was Adam when Eve was having a conversation with the serpent?
  • Had Adam informed Eve about the prohibition? It had been given before she was created (2:16-17, 22).
  • Why did Adam not refuse to eat the fruit?
  • Why is no explanation given for the serpent wishing to bring about the catastrophe of the fall?
  • Why is there no further discussion of this episode in the Old Testament?
  • What does the passage mean by ‘life?’
  • What does the passage mean by ‘death?’
  • What does the passage mean by ‘day’ (2:17; 3:5)?
  • Are cherubim real or imaginary creatures?

The biblical passage does not address these questions.

Regardless of whatever view is held on the literalness or otherwise of the paradise story no-one can deny that, insofar as the biblical narrative is concerned, it marks a turning point in human history. The introduction of sin into the world disturbed the close relationship between God and human beings, disrupted the harmony of creation and introduced mortality, conflict, and suffering. The paradise narrative advances themes of good and evil, of original sin, human nature, free will, responsibility, separation from God and the hope of redemption. The consequences of the choice made by Adam and Eve and its impact on collective and individual destiny are subjects which everyone should ponder.

These themes are explored as the biblical revelation progresses but admittedly I find it strange that the fall of man does not feature in the rest of the Old Testament scriptures – with the possible exception of the following verses:

Job 31:33 (If I covered my transgressions as Adam, by hiding mine iniquity in my bosom),

Psa 51:5 (Behold, I was shapen in iniquity; and in sin did my mother conceive me.)

Isa 43:27 (Thy first father hath sinned, and thy teachers have transgressed against me.)

Hos 6:7 (But they like men have transgressed the covenant: there have they dealt treacherously against me.) The word translated ‘men’ is ’āḏām, leading some to suppose an Adam covenant.

The paradise narrative is referred to in the following New Testament passages, most of which are in the writings of the apostle Paul.

  • John 8:44 The devil is the father of lying. He told Eve the first recorded lie ‘in the beginning’.
  • Rom 5:12-21- Death through a literal Adam, the federal head of humanity.
  • Rom 8:18-23 – Creation subjected to futility.
  • 1 Cor 11 – Headship applied to corporate worship. Paul’s argument is based on the creation order.
  • 1 Cor 14:34 Women/wives to keep silence in the church. Paul refers to the Old Testament statement that a woman ought to be to be submissive (Gen 3:16).2 Cor
  • 2 Cor 11:3 Paul refers to the deception of Eve by the serpent.
  • 1 Tim 2:13-14 Paul’s teaching regarding women in the church is based on the order of creation.

The Cherubim: Guardians Beyond the Boundaries of Eden

So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life. Genesis 3:24

In Genesis 3:24 we have the first appearance of cherubim. After the fall they are positioned at the east side of the Garden of Eden, along with the revolving flaming sword, to guard the path to the Tree of Life. It would seem that they are stationed there as boundary markers to prevent Adam and Eve, now expelled from the Garden, from returning and consuming the fruit, which would potentially grant them immortality in a state of sin. It is clear from the verse that their function was negative rather than positive. They were not there to point the way back to the Garden of Eden and the Tree of Life but to bar access to them.

The verse tells us hardly anything about these creatures but would indicate that they are animate beings whose primary function is to act as guardians. It does not specify the number of cherubim nor does it say what form they took or give a description of their appearance. However, their activity at the close of the story of the fall serves as a salutary reminder of the fateful consequences of human sin and disobedience.

Posted in Exposition

(3) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

Posted on by writtenexposition



‘the fact that the light has never been quenched is proved by the witness of the prophets, above all by the witness of John the Baptist, the last of the prophets and the herald of Christ. But his function as a witness has to be clearly distinguished from that to which witness is given – the light, which became flesh in Jesus Christ.’

The Fourth Gospel identifies the purpose of John the Baptist’s appearance and ministry as that of ‘witness’. In the Prologue the two mentions of John as witness are inserted at strategic points, reinforcing what has been said. Verse seven (‘to bear witness of the light’) harks back to what is said in verse five about the coming of the light and verse fifteen to what is said in verse fourteen about what Ridderbos (1997, p.42) calls ‘Jesus’ antecedent transcendent glory.’


Trites (2004, p.78ff.) argues convincingly that the Fourth Gospel ‘presents a sustained use of juridical metaphor’. She maintains that ‘in the Fourth Gospel God Incarnate has a lawsuit with the world’ (p.79). She indicates that in the first twelve chapters, which deal mainly with the conflict between Jesus and “the Jews”, John is stating a case, advancing his arguments, challenging his opponents and presenting his witnesses. She understands the idea of witness in John’s gospel in terms of Old Testament legal language and points out that other juridical words such as judge, judgement, cause, accuse and convince are also used in a context of debate or hostility.


Her assessment of John the Baptist as witness (p.91) is insightful:


‘John is the first and one of the most important witnesses to Jesus and his testimony is a threefold one, as the Prologue makes clear: (1) He is not the Light. (2) He is sent to bear witness to the Light. (3) The purpose of his witness-bearing is that all may believe in Christ (1:6-8). This pattern is followed in subsequent sections dealing with the Baptist. John is mentioned at the beginning of the Fourth Gospel , for he is the first to point his fellow men to Jesus, and in that sense all believers have been brought to Christ through him (1:7b). While there had been other men sent from God, John’s task was unique. He bore witness to the incarnate Word, to his superiority to himself, and to his prior existence.’


Others said to be witnesses in the Fourth Gospel include: Jesus Himself (3:11; 5:31; 8:13-14; 18:37), the Samaritan woman (4:39), God the Father (5:32,34,37; 8:18; I John 5:9), Scripture (John 5:39), the works of Christ (5:36), the crowd at the raising of Lazarus (John 12:17), the Spirit (15:26-27; I John 5:10,11), the disciples (John 15:27; 19:35; I John 1:2; 4:14), and the author himself (John 21:24).

Although John the Baptist was sent from God as a witness to the Light he is portrayed as insignificant in comparison with the Light itself. Jesus called him a ‘lamp’ (5:35) but he was certainly not the Light. The writer of the Gospel asserts John’s subordination to Jesus (1:20, 27, 29, 33, 36) and strongly denies that John the Baptist is the Messiah. According to Luke 3:15 some people thought that John the Baptist might be the Messiah’. In the Prologue John gives no information on John the Baptist but concentrates only on his function as a witness to the Light.



‘It is employed with two different nuances in this verse. In the first two instances the reference is to the created world, the world that constitutes humanity’s environment and that includes humanity itself. In the third instance – the world did not know him- the reference is to the world of humanity that by its response reveals its devastating plight of having become alienated from and hostile to the Word/Light that sustains it. It is this second negative connotation of ‘world’ that will become dominant in the Fourth Gospel.’

(1) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(2) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(4) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(5) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(6) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

Posted in Exposition

(2) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

Posted on by writtenexposition


Ngewa (2003, p.10) says of the background to Logos:

‘If Semitic, then the main idea is that God communicated himself through Jesus Christ. If the background is Greek, the central idea is that Jesus holds things together. Neither of these ideas is excluded in what John says about Jesus in this passage. ‘

In the Prologue the author presents three views of the Logos:

1) In verse one he presents the Logos as being with God and within this expresses three important ideas.


– The eternal existence of the Logos (‘In the beginning was the word’).


– The eternal relationship of the Logos (‘with God’).


– The eternal status of the Logos (‘was God’).


The Logos exists before creation, enjoys a special, intimate relationship with God and in his very nature is God. The writer is thus claiming that Jesus who lived on earth was in fact the eternal Word, God himself. The idea is repeated in verse two, emphasizing the point.

2) In verse three he talks about the Logos and Creation and emphasises the divinity of the Word by stating that he was God’s agent in creation . This is put both positively (‘Through him all things were made’) and negatively (‘without him nothing was made that has been made.’). 

3) In verses ten to fourteen he speaks of the Logos in the world and deals with the rejection of the Logos (1:10-11), the new birth of those who accept him (1:12-13) and with the Incarnation (1:14). 

The word ‘logos’ (word) is employed thirty-nine times in John’s Gospel but it is only in the Prologue, where it occurs four times, that ‘logos’ is used as a Christological title. The term ‘Logos’ is never again applied to Jesus in John’s Gospel. Jesus later identifies himself as ‘Light’ (Jn 8:12; 9:5), as ‘Son’ (Jn 5:19-24), and as ‘Life’ (Jn 11:25) etc. but never says ‘I am the Word.”


This is because from chapter 1:14 on, he is no longer called ‘the logos’ but ‘Jesus’  Jesus and ‘the logos’ are one and the same; ‘the logos’ is the pre-existent Christ.

Christ’s pre-existence is not only mentioned in the Prologue but also on several occasions throughout the Gospel of John there are references to his life before Creation. He speaks of himself as having ‘come down from heaven’ (3:13; 3:31; 6:33; 6:38; 6:62). He says: ‘before Abraham was born, I am!’ in 8:58 and, in the prayer of chapter seventeen, ‘And now, Father, glorify me in your presence with the glory I had with you before the world began’ and ‘you loved me before the creation of the world.’ (17:5, 24). 


Kysar (1993, p.31) maintains that the affirmation that Jesus existed from the beginning is ‘one of the highest claims that the Christian has made for Christ’.  He observes:


‘The pre-existence of the Logos affirms not only that he existed before creation itself, but that he existed ‘before all things began’. His existence goes back into that mysterious time before time – into the realm of temporality that eludes human conceptuality. While we cannot fathom what it would mean to exist before all else, we can try to fathom what the author is trying to affirm by saying this. Christ is so important that he could not simply have come into being like any other person or object. Christ is made to transcend beings and things by the assertion of his pretemporal existence….Christ is no created being. He is before creation.’

(1) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(3) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(4) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(5) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(6) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

Posted in Exposition

(1) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

Posted on by writtenexposition



INTRODUCTION


More than two thousand years ago a carpenter from Nazareth in Palestine emerged from obscurity. His influence was to divide his own nation, transform the lives of his disciples and impact the world. Who was Jesus? Where did he come from? What did he do and teach? How did people respond to his claims? What was his destiny? John, the author of the Fourth Gospel, seeks to address questions like these. He sums up his purpose in a statement in chapter 20:30-31:


‘Jesus did many other miraculous signs in the presence of his disciples, which are not recorded in this book. But these are written that you may believe that Jesus is the Christ, the Son of God, and that by believing you may have life in his name.’


The author thus encourages the reader to consider Jesus Christ, whom he presents as the worthy object of faith.

THE PROLOGUE TO THE GOSPEL OF JOHN

Unlike the Synoptic Gospels ( Matthew, Mark, Luke) which all introduce Jesus by locating his ministry in a historical setting, John’s prologue presents Jesus as the Word (Logos) in eternity. According to Lindars (1972, p.77);


‘The prologue is a work of immense assurance and literary power. It moves with measured steps from the Creation to the climactic moment of the Incarnation (verse 14), and then indicates the fulness of the revelation which results from it – like the dawn gradually illuminating the sky until the sun suddenly bursts above the skyline and sends its rays horizontally across the earth.’


Carson (1991, p.111) comments; ‘The Prologue is a foyer to the rest of the Fourth Gospel (as John’s Gospel is often called), simultaneously drawing the reader in and introducing the major themes’.

It is my intention to identify and comment briefly upon the major themes in the Prologue to the Fourth Gospel.

(2) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(3) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(4) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(5) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.

(6) THEMES IN THE PROLOGUE TO THE FOURTH GOSPEL.