Tag: worship

Posted in Exposition

Psalm 134 – A Song for the Night Shift

Posted on by writtenexposition

A SONG OF DEGREES.
​1 Behold, bless ye the LORD, all ye servants of the LORD, which by night stand in the house of the LORD.
2 Lift up your hands in the sanctuary, and bless the LORD.
3 The LORD that made heaven and earth bless thee out of Zion.

INTRODUCTION

Have you ever spent time in hospital overnight? If so, you will recall that the corridors which bustle with people during the day grow quiet. Visiting hours and supper over, the lights are dimmed. Many of the patients lie asleep but the work does not stop. A dedicated team of the night shift – doctors, nurses, porters, cleaners, security officers – go about their tasks. Often their work is unseen but it is essential.

In ancient times work never stopped at the Jerusalem temple. Once the evening sacrifice was offered (Psa 141:2) the priests and their assistants, the Levites, had plenty to keep them occupied (Num 3:7-8). 1 Chron 9:17-32 gives an account of the practical duties the Levities performed both day and night – looking after the sacred vessels, portering, baking, allocating oil, wine and spices. The priests were responsible for ensuring that the perpetual fire on the altar of burnt offering never went out (Lev 6:12-13) and that the lamps on the Menorah (lampstand) in the Holy Place burned brightly ‘from evening to morning’ (Exod 27:20-21). Some priests and Levites functioned as temple police. The priests also engaged in spiritual activities (prayer and praise) during the night. A high-ranking official known as the Captain of the Temple (Lk 22:4; Acts 4:1; 5:24) was in overall charge. Psalm 134 acknowledges the vital contribution of those who serve the Lord through the long hours of the night. This psalm is a song for the night shift.

Psalm 134 is the 15th and final poem of a collection (120-134) known as the ‘songs of degrees’ (or ascents). They are called this because they were sung by pilgrims as they travelled up to Jerusalem to celebrate the major Jewish religious festivals – Passover, Weeks (Pentecost) and Tabernacles.

It is also thought that the visitors sung them as they made their way round the city of Jerusalem. It is appropriate that this psalm has been placed at the end of the collection of songs of ascents for it seems to sum up the whole point of pilgrimage to Jerusalem – to bless the Lord and to be blessed by him.

Although mainly directed at a specific group of people – the priests and Levites working night shift at the Jerusalem temple – this psalm contains lessons that we can apply to ourselves, especially those of us who feel that we are on the night shift of life.

The psalm is structured as a call and response. It divides as follows:

1-2 The call – The festival pilgrims encourage the temple night shift to bless the Lord.

3 The response – The priests pronounce a blessing upon the pilgrims.

VERSES 1-2 – THE CALL

The pilgrims directly address the priests and Levites who work overnight in the temple and call on them to worship the Lord with uplifted hands .

‘Behold’ – expresses strong feeling so in this context could be translated ‘Come!’ or ‘Oh!

Bless’ – appears 3 times in the psalm – once in each verse. In vv. 1 and 2 it is an imperative giving a command, advice, or encouragement to worship the Lord. The word ‘bless’ means ‘pay homage to.’

‘the Lord’ – YHWH – the proper name of Israel’s national deity. The name occurs 5 times in these three verses.

‘all’ – all those working in the temple during the night.

‘servants of the Lord’ – this term is used to describe worshippers in general (Psa 135:1; Isa 54:17), also prophets (2 Kgs 9:7). The use of the word ‘stand’ following this phrase suggests that in Psa 134 it refers specifically to the temple personnel.

‘stand’ – a term used for the service of the priests and Levites (Deut 18:7; 1 Chron 2:30; 2 Chron 29:11).

‘by night’ – ‘during the nights’ – i.e. night after night.

‘the house of the Lord’ – the Temple – this term equates to ‘the sanctuary’ of v.2.

(2) ‘Lift up your hands’ – this displayed an attitude of surrender, reverence, worship and expectation while praying (cf. Psa 28:2; 1 Tim 2:8).

‘In the sanctuary’ – ‘sanctuary’ refers to the entire tabernacle (Exod 36:1, 3, 4; 38:27) and Temple.

‘bless the Lord’ – our praise and worship is an active response to who God is.

VERSE 3 – THE RESPONSE

In response to the exhortation from pilgrims to continue their praise and worship of the Lord throughout the night the priests invoke God’s blessing upon them.

‘The Lord…bless thee’ – This is not only a prayer but also a benediction. Some commentators view this as referring to the Priestly Blessing of Num 6:22-26. For a detailed consideration of that see my post THE AARONIC BLESSING. ‘To bless’ was one of the priestly functions (Deut 10:8; 21:5).

‘that made heaven and earth’ – (cf. Psa 121:2) – ‘heaven and earth’ is a merism (use of opposite extremes to express totality) – this figure of speech means the whole creation. It emphasises the power and sovereignty of YHWH the Creator.

‘thee’ – This singular may be taken as referring to the psalmist or interpreted as a collective singular referring to the group of pilgrims.

‘out of Zion’ – The blessing comes from the Lord, not the priests. Zion was where YHWH’s presence dwelt at that time.

LESSONS

Worship of the Lord is not restricted to certain days or times but continues 24/7 – all day and all night, every day of the week. The psalm encourages worshippers to serve and bless God during the night. The following psalms mention praising God at night: Psa 42:8; 63:5-7; 92:1-2; 119:62.

This psalm encourages us to continue serving and worshipping the Lord even when what we are doing seems insignificant and goes unnoticed by others.

The posture of lifted hands in the psalm reminds us that in praise and prayer we ought to have an attitude of surrender to God’s will and one of expectation of his blessing.

The priests are called on to bless the Lord and they in turn bless the people. Praise for the Lord results in blessing for the people of God.

The psalm is a reminder that it is God and not others who is the source of spiritual blessing and enrichment.

The Lord, the maker of heaven and earth, is well able to sustain us throughout the circumstances of our night; times of hardship when we are weary and all around seems dark. He is not a small god who is confined to a temple but is the Creator of all that exists.

Let us faithfully serve and praise God during our night shift, confident that blessing will flow out from his presence and enrich us while we wait for the dawn.

Posted in General

Sons of Korah: Their Role in Worship and Psalms

Posted on by writtenexposition

INTRODUCTION

The book of psalms is a collection of sacred poems suitable for private devotions or for use in worship. In Israel’s temple liturgy psalms were often sung to musical accompaniment, especially on stringed instruments. Almost half of the psalms are traditionally ascribed to David but some other contributors are also named. These authors or collectors are Moses (90), Solomon (72; 127), Asaph (50; 73-83), Heman the Ezrahite (88), Ethan the Ezrahite (89) and the Sons of Korah.

KORAH

Four people named Korah are mentioned in the Bible.

Edomite – Korah, son of Esau and Oholibamah (Gen 36:5, 14, 18; 1 Chron 1:35).

Edomite – Korah, son of Eliphaz and grandson of Esau (Gen 36:16).

Judahite (Num 13:6) – Korah, son of Hebron and a descendant of Caleb (1 Chron 2:43).

Levite – Korah, son of Izhar, known for rebellion against Moses (Exod 6:21, 24; Num 16:1; 1 Chron 6:22)

KORAH’S REBELLION

Numbers chapter 16 treats the rebellion of Korah the Levite in some detail. In the New Testament this event is briefly referred to as’ ‘the gainsaying of Korah’ (Jude 1:11). He and three Reubenites called Dathan, Abiram and On assembled with 250 Israelite community leaders to protest against Moses’s leadership.

Korah was a cousin of Moses; their fathers Amran and Izhar were brothers (Exod 6:18-21; 1 Chron 6:18-22). As a Levite and member of the Kohathite clan Korah already had significant responsibilities relating to the transport of YHWH’s portable sanctuary known as the tabernacle (Num 4:1-20; 7:9; 10:21; 16:9) but he resented the fact that only Aaron and his descendants were chosen to function as priests (Num 16:10). He falsely argued that all the people were holy (Num 16:3) and that each one could therefore approach YHWH on his own terms. He may also have been jealous that Moses appointed another cousin, Elizaphan, a son of Uzziel the youngest son of Kohath (Exod 6:22), to headship of the Kohathite clan (Num 3:30).

Korah and his associates contended that Moses and Aaron had led the Israelites out of Egypt only to exalt themselves and lord it over the people (Num16:3). In response, Moses pointed out that rejection of God’s appointed leaders and the Aaronic priesthood amounted to rebellion against YHWH and proposed a contest (Num 16:16) that would validate his claim to leadership and Aaron’s to priesthood. The dissenters were to offer incense before YHWH and see what would happen then. Korah, Dathan and Abiram did so with the result that:
the ground cleaved asunder that was under them: And the earth opened her mouth, and swallowed them up, and their houses, and all the men that appertained unto Korah, and all their goods. They, and all that appertained to them, went down alive into the pit, and the earth closed upon them: and they perished from among the congregation. And all Israel that were round about them fled at the cry of them: for they said, Lest the earth swallow us up also. And there came out a fire from the LORD, and consumed the two hundred and fifty men that offered incense. Numbers 16:31-35

A later passage, however, stresses that, unlike those of Dathan and Abiram, the children (sons) of Korah were not punished: Notwithstanding the children of Korah died not. Numbers 26:11

LATER HISTORY OF THE KOHATHITES AND KORHITES

When Israel entered the promised land the Kohathites were allocated Levitical cities in the tribal territories of Judah (Josh 21:4), Ephraim, Dan and Manasseh. They do appear to have settled among the tribes in Judah (1 Chron 6:54-55), Ephraim (1 Chron 6:66-69) and Manasseh (1 Chron 6:70) but not in Dan.

Descendants of Korah are later listed as soldiers and also as bakers, singers, musicians and doorkeepers in the Tabernacle and Temple.

Soldiers

1 Chron 12:6

Bakers

1 Chron 9:31-32

Singers & musicians

Heman, a singer – 1 Chron 6:1-38
Heman’s 14 sons, singers and musicians – 1 Chron 25:4-6
Kohathite and Korhite singers – 2 Chron 20:19 in Jehoshaphat’s time.

Doorkeepers

1 Chron 9:17-23; Neh 11:19 after the exile (cf. Ezra 2:42; Neh 7:45).
1 Chron 26:1,19 in David’s time.
Psa 84:10

THE SONS OF KORAH IN PSALM TITLES

The literal ‘sons of Korah’ the Levite are named in Exod 6:24: And the sons of Korah; Assir, and Elkanah, and Abiasaph: these are the families of the Korhites. These are not the men referred to in the titles of some psalms. However, since in the Bible the expression ‘sons of Korah,’ apart from psalm titles, only refers to the progeny of Korah the Levite (Exod 6:24; Num 26:11) it is generally accepted that in the psalm titles ‘sons of Korah’ refers to later descendants of the infamous Korah the Levite and not to descendants of the Edomite and Judahite Korahs listed above.

Basing their ideas on the references to the Korhites as Levitical singers and musicians (see above references) many commentators argue that there must have been a temple guild of singers and musicians known as ‘the sons of Korah’ and contend that the Korah psalm titles refer to this group.

The relevant psalm titles include the phrase ‘for the sons of Korah’ where the prefix (lamed) means ‘to’, ‘for’ or ‘belonging to.’ These psalms may therefore have been composed a) by them, or b) for their use, or c) in their style. The titles may indicate that perhaps the Korah psalms are from the collection of the sons of Korah, or were given to the sons of Korah to be set to music. Most likely authorship is also implied, i.e. they composed them as well as collecting and singing them.

Ten psalms are directly attributed to the sons of Korah.

Psalm 42 TO THE CHIEF MUSICIAN, MASCHIL, FOR THE SONS OF KORAH.
Psalm 44 TO THE CHIEF MUSICIAN FOR THE SONS OF KORAH, MASCHIL.
Psalm 45 TO THE CHIEF MUSICIAN UPON SHOSHANNIM, FOR THE SONS OF KORAH, MASCHIL, A SONG OF LOVES.
Psalm 46 TO THE CHIEF MUSICIAN FOR THE SONS OF KORAH, A SONG UPON ALAMOTH.
Psalm 47 TO THE CHIEF MUSICIAN, A PSALM FOR THE SONS OF KORAH.
Psalm 48 A SONG AND PSALM FOR THE SONS OF KORAH.
Psalm 49 TO THE CHIEF MUSICIAN, A PSALM FOR THE SONS OF KORAH.
Psalm 84 TO THE CHIEF MUSICIAN UPON GITTITH, A PSALM FOR THE SONS OF KORAH.
Psalm 85 TO THE CHIEF MUSICIAN, A PSALM FOR THE SONS OF KORAH.
Psalm 87 A PSALM OR SONG FOR THE SONS OF KORAH.

One psalm (Psalm 88) is jointly attributed to the sons of Korah and Heman the Ezrahite: A SONG OR PSALM FOR THE SONS OF KORAH, TO THE CHIEF MUSICIAN UPON MAHALATH LEANNOTH, MASCHIL OF HEMAN THE EZRAHITE.

OBSERVATIONS

Psalm 43 has no title. Some scholars view Psalms 42 and 43 as one split psalm and thus attribute Psalm 43 to the sons of Korah also.

The Korah psalms 42 and 44-49 are in a group of psalms that has come to be known as the Elohistic Psalter (Pss 42-83). These psalms primarily use the divine name Elohim to refer to God.

The Korah psalms 84-85 and 87-88 are Yahwistic. They prefer the divine name YHWH (Yahweh, the LORD).

The Korah psalms include a rich variety of psalm types, for example:

Zion psalm – 46, 48, 87
Individual lament – 88
Communal lament – 44, 85
Wisdom psalm – 45, 49
Sanctuary psalm – 42/43, 84